Alain Johns (
honest_johns) wrote2005-08-21 03:46 am
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It's the wee hours of the morning. There are people still awake in the bar -- there are always people awake in the bar -- but in Alain's room everything is dark and silent, but for slow steady breathing. Two sleepers' breathing, tonight.
He lies in a tangle of sheets, one arm outflung. The other is wrapped around Lilly, who's curled around him with her chin tucked into his shoulder.
He lies in a tangle of sheets, one arm outflung. The other is wrapped around Lilly, who's curled around him with her chin tucked into his shoulder.

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She's lying on the ground, broken and bleeding, the smell of chlorine in her nose and near-unbearable pain in her head. It's dark and cold, and her mother is walking away and... Veronica's crying. She's a ghost, again, wandering Neptune but this time there are no doors. Nothing leads her to Milliways, and the years start to pass as they do in dreams and Lilly is still a ghost and she's trapped and she can never leave...
Just a dream, Lilly tries to tell herself, tossing restlessly in her sleep. It's just a dream, you can wake up, it'll be over because it's not real... but it is real. Somewhere, it's real and Lilly suddenly thinks that maybe... maybe it's real here.
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Lilly mumbles something incoherent, and twitches a little, and then mutters again and rolls away from him restlessly, and he knows.
He rolls onto his side, frowning, and reaches out to run a soothing hand down her arm.
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Clarence's hand slides down her arm, checking the stiffness of her limbs. He shakes his head. It's no good, she's still warm. She's still *alive,* but he doesn't feel her pulse. Doesn't or won't.
Lilly jerks away from Alain's hand, mumbling incoherently. If you have good ears, you might be able to pick out the word "no." Possibly even the word "ice."
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A good deal more worried now, His voice is very low, and rough with sleep.
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"cold..."
One hand lifts to brush clumsily against her forehead, pushing her hair blood off her face.
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He's wary of touching her until she's more awake, now.
"Lilly, wake up."
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"what? who're..."
She trails off, blinking disorientedly.
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"Wake up, Lilly. It's all right. Just me."
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"Alain?"
Some of the tension seeps out of her shoulders.
"I woke you up, I'm sorry..."
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Worried and reassuring in equal measure.
He ventures to touch her, now, moving slowly to cup her face with his hand.
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"I'm okay...
Her voice is still soft and uncertain, though, and her body is still tense.
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"I'm really okay. It was just a bad dream."
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She frowns.
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His frown grows as hers does, but his is worried.
He doesn't know her sleeping habits well enough yet; doesn't know if she wants cuddling or talk, to go back to sleep or to wake up for a while.
After a little while of her inward-looking frown, he tries anyway. Slides his hand down her cheek to wrap around her shoulders and pull her very gently towards him.
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"Thanks, Alain."
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Both you're welcome and any time, Alain-style.
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Even with Alain holding her, it takes a long time for Lilly to go back to sleep. Deep down she's afraid if she falls asleep the dream will take over, become real.
She's tired, though, and Alain's presence is solidly reassuring, and so eventually the dream fades enough that Lilly can sleep again.
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He's thinking of Roland's note. Of Lilly's headache. He doesn't know that this is connected, but... it's worrisome.
Eventually, though, he sleeps. If she dreams again, it doesn't wake him (http://www.livejournal.com/users/honest_johns/5316.html?thread=78788#t78788).
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She blinks, buries her face in Alain's shoulder.
"Argh. Too fucking bright."
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He blinks himself more awake, vaguely aware that as a coherent response that lacks something.
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"Sun. Bad."
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Very amused.
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"Mornings're bad too."
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"It's nine-thirty. Long past dawn."
Yes, still amused.
There's no clock in the room. He doesn't need one. If Cort made you stay out in the forest every night until you learned to keep a clock in your head, you wouldn't either.
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"Fine, so it could be worse. I guess you want to get up?"
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"Soon, anyway."
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"Okay. I guess I can deal with that."
She may be smiling just a little, and then something occurs to her and her face brightens.
"Will there be coffee?"
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"Awesome. If there's coffee, I think I can handle the not-using-your-curtains thing you do."
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A grin and a quick kiss, and then he moves to slide out from under the sheets.
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"I like your room, Alain, even if I think you could maybe use some pictures."
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"Pictures?"
He's never really thought about it.
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"Of course, doing most of your decorating with weapons works, too. Very gunslingery."
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Two guns. Two belt knives, one a present. Hardly an arsenal. ...Although, yeah, it's a significant percentage of his personal effects.
The gunbelts are slung around his hips with the unthinking deftness of motions that have became second nature years ago.
"It's a bedroom." Ergo, no need for much decoration.
It shows, sometimes, that Alain spent a lot of his life sleeping in barracks and on the trail.
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"Yeah, caught that."
Reluctantly, she slides out of bed and grabs her t-shirt off the armchair it was draped over.
"It doesn't mean it can't also be pretty."
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"Never found it that important."
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"Somehow, I am not surprised."
She glances around the room again, and laughs.
"You don't happen to have like, a brush, do you? Or would that be too much decoration?"
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"...Um." Glancing about fails to produce a hairbrush. He has short hair.
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"Okay, see? Utilitarian is not always the way to go."
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"Um. Could stop by your room, before the bar."
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"I can brush my hair and get coffee before we go down and get coffee."
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"All right."
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"Come on, then," she says happily, grabbing his hand and tugging him on in search of coffee.