Alain Johns (
honest_johns) wrote2005-11-01 02:02 am
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It's late in the morning when they return. The sun is bright and the air cold, and they walk in silence.
Too late to sleep, Alain thinks. Maybe not. He's been up all night. He's done more on less sleep, of course, but there's not much sense in carrying on stubbornly when there's no reason to. Maybe he'll nap.
The world is even more surreal than usual, this morning. Just a few hours ago he was sitting by a
(Reap Night)
fire with the dearest friends he has here, the knowledge of the clearing and the path passing between them; now he is walking down the hall to his room at Milliways alone, and he feels bizarrely doubled, half in this world and half some nebulous elsewhere. There's a strange dulled sound to his footsteps, to his own ears.
It solidifies a little when he puts his hand on his doorknob, and turns it.
And then pauses, the door half-open, the world sharpening into more clarity around him. The sound of breathing -- someone's in the room. And asleep.
There are... something vaguely resembling guns, hanging on his bedpost. These aren't weapons, though. They're bulbous, and made of bright-colored plastic, and suspiciously glittery.
Alain opens the door fully, a little worried and rather more touched to find Lilly curled up in his armchair.
And heartsick, too. He has to find a way to broach this subject with her. Soon.
But not this morning. Not now.
She's covered in glitter, face slack in sleep, and the folds of the chair arm have left faint red lines on her cheek.
Too late to sleep, Alain thinks. Maybe not. He's been up all night. He's done more on less sleep, of course, but there's not much sense in carrying on stubbornly when there's no reason to. Maybe he'll nap.
The world is even more surreal than usual, this morning. Just a few hours ago he was sitting by a
(Reap Night)
fire with the dearest friends he has here, the knowledge of the clearing and the path passing between them; now he is walking down the hall to his room at Milliways alone, and he feels bizarrely doubled, half in this world and half some nebulous elsewhere. There's a strange dulled sound to his footsteps, to his own ears.
It solidifies a little when he puts his hand on his doorknob, and turns it.
And then pauses, the door half-open, the world sharpening into more clarity around him. The sound of breathing -- someone's in the room. And asleep.
There are... something vaguely resembling guns, hanging on his bedpost. These aren't weapons, though. They're bulbous, and made of bright-colored plastic, and suspiciously glittery.
Alain opens the door fully, a little worried and rather more touched to find Lilly curled up in his armchair.
And heartsick, too. He has to find a way to broach this subject with her. Soon.
But not this morning. Not now.
She's covered in glitter, face slack in sleep, and the folds of the chair arm have left faint red lines on her cheek.

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"You're back."
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"Just the night."
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"You've been gone three days, 'lain."
There's worry creeping into her voice now.
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"...I think we'd have noticed."
There's a brief moment of doubt -- but, no. Time slipping is one thing, but not to miss an entire span of daylight. They would have noticed.
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"But... I was here. You guys left Saturday morning, it's Mon-" she glances out the window "-Tuesday morning now. You... you didn't notice?"
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He's frowning too, now.
"Just the one day. I'd swear to it."
"Tuesday?"
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"S'why I'm here, I was starting to wonder if you'd taken off or something."
She pauses.
"Where did you guys camp? The further you go back, the closer you get to the Dreaming and time kinda does the wacky."
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But not right now. All talk of taking off is carefully ignored.
The crease between his brows deepens. "Back past Susan and Susannah's Riza-yard -- I didn't think it was so far back. We tried to stay out of the Dreaming. Time was softer, there. I thought -- maybe we were closer than we realized."
He's not sure he likes this idea.
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"Anyway, you missed a lot of people in leather and a lot of glitter."
She glances down at his armchair. It sparkles back at her.
"Okay, maybe you didn't miss all the glitter."
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And the girlfriend.
And the floor.
And the... um. Guns. For lack of a better word. There has to be one, but he's too drained to think of what it might be.
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Lilly's more awake, and smiling brighter now.
"You're kinda lacking in the shiny, 'lain. This is a terrible thing, but I think I can help."
She stretches, glitter shimmering on her stomach and face and legs and hands and hair.
"C'mere."
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Also an amused one, though.
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"I'm a little hurt that I haven't gotten a kiss yet."
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Gods, he's tired.
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"But at least I'm also plotting to kiss you." She smiles at him, bending her head to kiss him warmly.
And not incidentally, get a light sprinkling of glitter on his face.
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Alain tips his head up to kiss her back, with a small smile.
Ordinarily, he'd be settling his hands on her waist, but he's still holding out a faint hope of avoiding that much glittering.
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The smile fades a little as she gets a better look at his face, and she reaches out to gently trace the line of his jaw.
"You look tired, 'lain. You should get some more sleep, make up for the lost time."
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"I am," he admits.
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"Want me to stay? I could..." she glances down at herself, and laughs.
"Well, I could try to deglitter as much as possible."
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"If you want."
His sheets are going to end up glittery for weeks, aren't they.
...If they have weeks.
The dimming of his smile could be put down to tiredness.
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"You look really seriously tired, get in bed already. The Halloween stories can wait till you're more awake and able to properly appreciate the number of people I covered in glitter."
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But he toes out of his boots, and stands to unbuckle his gunbelts. They get hung on the usual bedpost -- the unglittery one, say thankya.
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"Your loss, 'lain. I'm going to tell you all about it anyway, though."
She's succeeded in dislodging a lot of glitter... onto his floor.
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Thank the gods for whatever magic it is that cleans everything. (Alain does not know about the details of the cleaning staff roster. Such as the fact that it's all Oompa Loompas. He would be a good deal more unnerved if he did.)
He settles down on the bed. Still mostly clothed; it's late morning, nearly midday, and this is only a nap.
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"Not now, though. You're tired and I may have substituted goldschlager for sleep a few too many times this weekend and napping sounds awesome."
She may have also gotten more used to falling asleep next to someone than she realized, but that doesn't get mentioned.
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Tired or not, he expects it to be a while before he falls asleep.
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She moves just a tiny bit closer.
"Night, or morning, or whatever, 'lain. Love you."
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Silence settles over the room. Just the sound of breathing, and occasional faint noises from outside filtering through the closed window.
It doesn't take Alain as long to doze off as he'd thought.
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It's quiet and peaceful lying next to Alain, listening to the steady sound of his breathing. Even if she can't fall asleep, she's not going anywhere.
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But they picked bad ground for it. He knew that from the start, or maybe he forgot then but remembered later -- anyway, he's frustrated now, but it's too late to change anything. It looks like a level field, and feels solid under his boots, but it's swamp all through. What he's building is sinking nearly as fast as he piles things on.
In his sleep, Alain shifts a little, and resettles with a soft sigh.
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She slides an arm around his waist, presses a light kiss to his shoulder, and closes her eyes again.
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It's not a building.
It's a pyre.
It's a bonfire and it's lit, a huge pile of wood and cornshucks and dead leaves all crackling with orange flame.
And Susan.
Susan's on it and she's burning, it's burning, everything is flame and heat-haze, the air scorches in his lungs, and he built it, he was tricked and he built it ans Susan is burning on it and he can't move.
In his sleep, his head tosses, a tiny restless movement, and he shifts again. There's a small frown line between his brows.
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"'lain?"
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He wants to shout to Lilly, scream for her to move, disappear into the Dreaming before it's too late -- wants to pull them both off -- but he's frozen. He can't move, can't talk, can't do anything.
"'lain, what's wrong?"
"Alain?" His mother's voice, but he can't see her anywhere.
The torches in his hands have burned down, and flames lick at his fingers, scorch his wrists.
A low sound, in his sleep.
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It's not exactly hard for her to figure out what's going on.
"s'okay, Alain. It's just a dream, I'm right here, it's okay."
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His eyes snap open. He's awake, breathing hard, whole body tense.
It's a moment before he realizes where he is, and his eys focus on Lilly with recognition as he slumps back onto the pillow.
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"You okay, 'lain?"
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"Yeah, well. I know how those can be."
She bends her head, hair falling across his chest, and kisses him softly.
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Hardly the first he's had in life. Or even here. Usually, Lilly sleeps more deeply than he does.
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But he holds Lilly close, feeling her warm solid weight against him, while his breathing evens out. And it's all right.
An oasis, edged and touched by nightmare. It's the closest there is to peace, in Milliways.